My work is a reflection of how we experience life with an attitude of thanks, grace, and play. When we do this, reality is a lot more like a dream. Everything takes on an air of fluidity, and there is more space in our minds to experience moments like water in a river, continuing onward without resistance to what is. This does not mean that we give up the power of choice, or that we "give in" to whatever comes our way—to emulate the river is to understand that the nature of the river is to keep on. Water does not hold onto the riverbank, it simply flows.

One purpose of my work is to act as a reminder that the world is not black and white. If we remain present, patient, and curious throughout life, we judge others and ourselves less often, and adapt more easily and frequently to beneficial change. This is the result of a grand collaboration of events! The style and subject matter in my art represent the ability to experience perfection as a wondrous state of transformation, acknowledging each phase and form of existence as part of a sacred universal process. Once we are able to perceive our interdependence with all things, we can synchronize our perspective with and direction towards the greatest landscape of interconnection we can imagine, and life becomes the most exhilarating game we've ever played.

We are all born with infinite potential to create beauty; and as we fulfill our basic needs, and honor our potential, we offer the world the greatest gift. When we do and say things that bring others and ourselves real joy, we are creating beauty. When we live authentically to our individual nature in empowering ways while encouraging others to do the same, we are making art. Through creative expression and compassionate communication, differences between individuals become opportunities for understanding instead of conflict, art instead of destruction, poetry instead of war. We find hope in what may have once been great disappointment. Negative concepts about God and religion are transmuted into diverse pathways that lead straight to the heart. We accept all as beings that simply love and need to be loved.

Ishka was born in 1982, and grew up in northern California. She loved to draw ever since she was a little girl, even if it meant getting carsick on long road trips with her family because she was so focused on her sketchpad. Her talent advanced as she got older, but she felt it was necessary to pursue a career that assured more financial stability. Society had taught her too much about the starving artist. And so, she sought study for a profession that was highly useful in society that would also require her artistic skill.

Six years later, she graduated from California Polytechnic State University with a professional bachelors degree in architecture.

During her fourth year in college, Ishka spent a year studying abroad in France, and traveled all over Western Europe. Her experience of life outside the U.S. transformed her entire perception of art, architecture, and community; and it was then that she became much more certain of her path, both as an artist and an architectural designer.

Everything came to a climax in this little town she visited on the southern coast of Portugal—one of the last trips she made before returning to the states. In the hostel she stayed in, twenty complete strangers from all over the world had somehow come together as one big family. For the first time, Ishka experienced the miracle of coming together with people she had never met as though they had somehow known each other for lifetimes. Miracles began happening everyday; or, maybe it was that Ishka was finally allowing them to happen, and be a witness to them.

A rose, long-awaited, bloomed in her heart, and Ishka began to recognize God in all beings. She awakened to a Great Love for herself and everyone around her. This shift in her awareness marked the inception of a life long spiritual journey!

When she returned to California, she dedicated her next year of college studying as much as she could about natural building techniques and eco-village design, and developed her thesis around it. The architecture program had included aspects of green building over the years, but Ishka’s hunger for it and her interest in intentional community living intensified exponentially after her trip overseas. Moreover, her passion for art was renewed with a vehemence and sense of freedom all too wild and magnificent to describe any other way than to draw it. She no longer felt inhibited by the stigmas society had put on her greatest gift.

After graduation, Ishka made a solid commitment to her practice as an artist, and architecture would be her mistress. Ishka has since embarked on many other travels in North America and abroad, exploring and expanding her participation as a true citizen of the world. She uses every opportunity available to absorb spiritual guidance and inspiration for her art, and foster her development and dedication to community building and lifestyle.